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Friday, February 2, 2024

Palestinians Uncover Dozens Killed Execution-Style in Schoolyard in Gaza

February 2, 2024
Dozens of bodies of Palestinians have been uncovered in a mass grave in a schoolyard in northern Gaza, with witnesses saying they appeared to have been killed “execution style” by Israeli forces. A human rights lawyer has said the killings are “clearly a war crime.”

Palestinians uncovered more than 30 bodies buried in northern Gaza in black bags with their hands and feet tied and blindfolded, according to witnesses.
“As we were cleaning, we came across a pile of rubble inside the schoolyard. We were shocked to find out that dozens of dead bodies were buried under this pile,” one witness told Al Jazeera on Wednesday. “The moment we opened the black plastic bags, we found the bodies, already decomposed. They were blindfolded, legs and hands tied. The plastic cuffs were used on their hands and legs and cloth straps around their eyes and heads.”
Video and photos appearing to show the bags containing the bodies show that they are zip-tied shut with tags with barcodes and writing in Hebrew.
The witnesses’ accounts line up with previous reports of Israeli soldiers killing Palestinians execution style in other locations, including reporting that soldiers had lined up Palestinians, including newborn babies, and shot them point blank at another school in northern Gaza in December. Around the same time, Euro-Med Human Rights Monitor reported that Israeli soldiers had been killing dozens of elderly Palestinians in field executions after ordering them to leave their homes or after releasing them from being detained without charges.
 
Western Officials Warn of War-Crimes Complicity
More than 800 government officials in the United States and Europe released a letter Friday criticizing their countries’ leaders for providing unconditional military and diplomatic support to Israel as it inflicts disaster on Gaza’s population. 
[The 800-plus figure is ascribed to an organizer of the letter who is quoted anonymously, for fear of reprisal, in a report in The New York Times.]
The authors of the letter, who remain anonymous, wrote that their attempts to voice concerns internally about their governments’ support for Israel’s assault on Gaza “were overruled by political and ideological considerations.”
“We are obliged to do everything in our power on behalf of our countries and ourselves to not be complicit in one of the worst human catastrophes of this century,” the letter reads. “We are obliged to warn the publics of our countries, whom we serve, and to act in concert with transnational colleagues.”
“Israel has shown no boundaries in its military operations in Gaza, which has resulted in tens of thousands of preventable civilian deaths,” the letter continues.
“There is a plausible risk that our governments’ policies are contributing to grave violations of international humanitarian law, war crimes, and even ethnic cleansing or genocide.”
The letter was coordinated by government officials in The Netherlands, the U.S., and European Union bodies and endorsed by civil servants in 10 countries, including Belgium, Denmark, Finland, France, Germany, and the United Kingdom.
Josh Paul, a former U.S. State Department official who resigned in October over the Biden administration’s decision to continue arming Israel as it pummeled Gaza, called the new letter “a remarkable statement from hundreds of individuals who have devoted their lives to building a better world.”
“One-sided support for Israel’s atrocities in Gaza, and a blindness to Palestinian humanity, is both a moral failure, and, for the harm it does to Western interests around the globe, a policy failure,” Paul told HuffPost.
“At a time where our politicians seem to have forgotten them,” Paul added, the letter “is a much-needed reminder of the core values that bind the transatlantic relationship, and a proof that they endure.”
Paul told The New York Times that he knew the organizers of the letter, which marks the latest sign of mounting dissent inside Western governments over their support for Israel’s war on Gaza as famine and disease spread across the enclave.
United Nations experts warned earlier this week that Gazans are “enduring apocalyptic humanitarian conditions, destruction, mass killing, wounding, and irreparable trauma.”
Berber van der Woude, a former Dutch diplomat who resigned in 2022 over her government’s support for Israel’s oppression of Palestinians, also spoke out in support of the new letter from U.S. and European civil servants. Rights groups have accused the Dutch government of complicity in Israeli war crimes, pointing to the export of military supplies.
“Being a civil servant doesn’t absolve you from your responsibility to keep on thinking,” van der Woude told the Times on Friday. “When the system produces perverse decisions or actions, we have a responsibility to stop it. It’s not as simple as ‘shut up and do what you’re told’; we’re also paid to think.”
The unnamed officials implored their governments to stop telling the public that “there is a strategic and defensible rationale behind the Israeli operation and that supporting it is in our countries’ interests.”
Israel claims it is targeting Hamas, but one human rights monitor estimates that upwards of 90 percent of those killed by Israeli forces in Gaza were civilians.
The Wall Street Journal reported earlier this week that U.S. and Israeli officials believe that up to 80 percent of Hamas’ tunnels are still intact after nearly four months of incessant bombing, which has killed more than 27,000 Gazans.
To end the bloodshed, the civil servants demanded that their governments “use all leverage available — including a halt to military support — to secure a lasting cease-fire and full humanitarian access in Gaza and a safe release of all hostages.”
They also urged world leaders to “develop a strategy for lasting peace that includes a secure Palestinian state and guarantees for Israel’s security, so that an attack like 7 October and an offensive on Gaza never happen again.”
 
How the news cycle misses the predominant violence in Israel-Palestine
The violence unfolding across Palestine-Israel over the past four months has been accompanied by a near-real-time deluge of information on social and news media worldwide. As with other fast-moving, politically charged situations, a portion of that information has been false, and fact checkers have had their hands full. And as on other occasions, platforms such as Meta, Twitter/X, and even Telegram have been criticized for not intervening, or for intervening in a biased way.
Humans, however, do not formulate opinions based on information, but rather with stories spun from information — and the relationship between them is far from linear. Fictitious information can be arranged into a story that conveys profound truths, as great novelists have proven for centuries. Conversely, and as the past several months of coverage have demonstrated, there is no fact that cannot be indentured into the service of a lie. Beyond disinformation (trafficking falsehoods), I worry as a media researcher and longtime scholar of the Palestinian struggle that decontextualization (selectively presenting truths) is the more ubiquitous and elusive threat to our collective understanding.
Disinformation involves lying by commission, such as by asserting that the 2020 U.S. presidential elections were rigged against Trump, or that ivermectin cures COVID-19. Decontextualization, on the other hand, is all about lying by omission, and psychologists have shown that humans lie by omission with greater facility than by commission. Moreover, omission’s signature characteristic is absence — something humans are notoriously bad at noticing, which means we are liable to amplify decontextualized narratives unwittingly.
For inveterate observers of Israel-Palestine, though, the absences in the recent discourse have been egregious. While much has been made of the differential coverage of Palestinian versus Israeli suffering over the past several months, by far the greater asymmetry is to be found when comparing coverage of the weeks of kinetic violence after October 7 versus the decades of structural violence before.
The reason for this asymmetry runs far deeper than political agendas. News networks cover bombings, shootings, and other forms of kinetic violence because they are loud, finite events that seize our attention, invite investigation and intrigue, and whose victims can be counted, named, and mourned. By contrast, the everyday structural violence of Israel’s occupation and apartheid is comparatively uneventful. Instead of loss, it inflicts absence. Instead of killing, it simply aborts. Its first casualties are dreams and destinies. Even its victims cannot offer a full accounting, because how can you miss that of which you were always deprived?
Compared to kinetic violence, the uneventful, continuous, and illegible nature of structural violence renders it unfit for news coverage. Yet the two are inextricably linked. Decades of structural violence give rise to weeks and months of kinetic violence. To cover the latter while neglecting the former is, in a word, to decontextualize; to show audiences the symptoms while depriving them of the underlying causes. Without that context, audiences are more likely to see kinetic violence as unprovoked, stemming from innate and intransigent ideological commitments that necessitate a heavy-handed response.
In search of absence
All of the narratives spun by the Israeli government to justify its murderous bombardment of the Gaza Strip — including at the recent International Court of Justice hearing on the charge of genocide — draw centrally on the facts of October 7: that Hamas-led militants broke through the Gaza fence and, with intimate brutality, slaughtered over 1,100 people in southern Israel, most of them civilians, and took around 240 others hostage.
The narratives that “Hamas is ISIS,” that Hamas is morally irredeemable and strategically irreconcilable, that coexistence is impossible, that Hamas must be eradicated, that Palestinians in Gaza themselves will be thankful for this — all of these dubious narratives are lent authenticity by the undeniable horror of October 7. In this sense, these are narratives not of disinformation, but decontextualization. And while there have been some embellishments that have rightly drawn scrutiny, the core facts about what happened on October 7 are true, withstand fact checking, and are awful enough in their own right as to offer prima facie credibility to Israel’s war narratives.
The deficiency of the Israeli government’s narratives is not so much to be found in the information they present, but rather in the information that is left absent. Countering decontextualization is about seeing absence “with all its instruments” (to quote Sinan Antoon’s translation of Palestinian poet Mahmoud Darwish), seeing not only what is presented but what is left out, and letting silences speak. As Darwish would say, we must pull up some chairs for the ghosts.
The ghosts start to emerge when you look at news media coverage in aggregate. MediaCloud, run by a consortium of universities in the Boston area, has tracked news worldwide for over a decade. Querying the MediaCloud database via their web interface, I found all news articles published by American, Canadian, or British news outlets during 2023 mentioning either “Gaza” or the “West Bank”, and generated the following chart.
Media coverage of “Gaza” (red) and “West Bank” (black) in English-language news (US, UK, and Canada) since the start of 2023. (MediaCloud)
Media coverage of “Gaza” (red) and “West Bank” (black) in English-language news (US, UK, and Canada) since the start of 2023. (MediaCloud)
In the chart, two curves are depicted, one red and one black, representing the percentage of news articles mentioning “Gaza” or “West Bank,” respectively, published on each day from the start of 2023 to just before the temporary ceasefire in late November.
This chart suggests that the occupied Palestinian territories are covered by the news when and where there is kinetic violence — that is, bombing, shooting, stabbing, and so forth. Most notably, the coverage of both Gaza and the West Bank after October 7 dwarfs everything published in the comparatively stable nine months preceding it. The coverage of Gaza after October 7, meanwhile, consistently exceeds that of the West Bank, where kinetic violence was also happening but at orders of magnitude below its sister territory.
I say kinetic violence for the sake of distinguishing it from its complementary concept of structural violence. Whereas bombings or shootings are examples of kinetic violence, structural violence is exemplified by walls, barbed wire fences, or systems of discriminatory laws. When a bomb goes off, it is a discrete event that can be reported or remarked upon. Structures of violence, by contrast, are continuous features that rend reality in two.
To get a glimpse of what it means for Palestinians to be the victims of structural violence, we can turn to the great Palestinian writer Ghassan Kanafani, who once wrote that “our lives are as a straight line that marches in shame and silence beside the line of our destiny; but the two lie parallel, and shall never meet.” To live in the shadow of a wall, or on the wrong side of a fence, or on the receiving end of a discriminatory system, is to live “in the presence of absence,” to be haunted by the ghost of one’s potential self — the person you would have become were it not for this wall, this fence, this law, this structure. In Kanafani’s telling, the life that Palestinians were meant to live haunts their every footstep. It runs parallel, and in full view of their imagination, a daily reminder and humiliation, next to which they trudge in silence and shame.
This is the agony of structural violence with which Palestinians were living throughout 2023, and for the long years and decades before that. But as the chart shows, news coverage only seems to tune in when there are outbreaks of kinetic violence. Why does structural violence get short shrift?
Firstly, structural violence is hard to measure, even for scholars with the time, resources, and expertise to do so. As Kanafani’s words suggest, structural violence can be measured by the gulf it creates between one’s reality and potentiality; between one’s current life and the life one could have lived were it not for this structure getting in the way. Such counterfactual analysis, however, is slow, painstaking, and statistical.
For example, using the West Bank as Gaza’s counterfactual, scholars have estimated the economic and political costs of the Gaza blockade since its imposition by Israel in 2007. While thoughtful, these interventions are complicated, take years to produce, and invite skepticism and disputation.
Even if you manage to measure structural violence in a credible way, however, the findings ultimately come off as overly statistical and hypothetical. Percentage-point declines in GDP or employment simply lack the visceral horror of a suicide bomb or airstrike. Behind those percentages are real people whose dreams have been crushed, and who may succumb to depression, substance abuse, and death many years before their natural time. But all of that is deemed so indirect, obscured, and probabilistic that it just does not resonate with audiences as strongly.
Decontextualizing kinetic violence
For all of these reasons, structural violence is a non-starter for news coverage. It is boring, expresses itself through absences, non-events, things that did not happen, realities that were not visited. News must sell itself to audiences, and audiences want to see action and be diverted. Kinetic violence is attention-grabbing, and so (as the chart above illustrates) it stands a greater chance of being covered in the news.
Action-packed kinetic violence then becomes the entirety of the story in our minds, through a defect of human psychology that Israeli psychologist and Nobel Laureate Daniel Kahneman calls the “WYSIATI principle”: what you see is all there is. Besides, in a world full of events, who has time to think about what did not happen?
The asymmetry with which kinetic violence is covered relative to structural violence has implications for how international audiences perceive Palestine-Israel and other civil conflicts. Though authorities may inflict structural violence on their subjects through a system of oppression (colonialism, apartheid, military occupation, and so forth), it is deemed not newsworthy, and receives only a modicum of coverage.
Eventually, after many years of daily indignities and frustration, a breaking point is reached, and a rebellion forms. The rebels are much weaker than the state, however, and cannot wield structural violence. Instead, their primary tool is kinetic violence. And because kinetic violence is newsworthy, the first time many outside observers really pay attention to the conflict is when they see masked rebel gunmen killing and terrorizing.
Indeed, if you analyze the patterns of rocket fire and airstrikes over the Gaza Strip in the 2010s, you will find over and over again that it is usually Palestinian militants who appear to break the “calm.” And yet, buried in the confidential UN security reports from which those findings were derived, nearly every rocket attack was preceded by Israeli provocations — bulldozing orchards, revoking work permits, and so on — that fell below the threshold of newsworthiness, and blended into the day-to-day humdrum of structural violence.
Outside observers do not feel the weight of the years and decades of structural violence that precede each moment of kinetic violence. This is what it means for the latter to be decontextualized: robbed of its structural provenance by human inattentiveness, by our incapacity to see absence, and by the unwillingness of the media to report what did not happen.
But the kinetic violence of October 7 cannot be understood without the structural violence of Oct. 6 and all the days before. If you recklessly burn fossil fuels for decades, there will come a time of hurricanes and wildfires. And if you indefinitely postpone the political process of relieving structural violence, you risk outbreaks of kinetic violence.
Hamas itself was founded 40 years deep into the Nakba and the ensuing Palestinian refugee crisis, and 20 years into the military occupation of the West Bank and Gaza. It is the enraged orphan of oppression, the product of a pattern so familiar to scholars of civil conflict that it is astonishing we still bother with proper nouns. Think of it as a law of conservation: violence is neither created nor destroyed, merely converted from structural to kinetic.
That causal interplay, however, is lost on most audiences. In the wake of October 7, activists and commentators have heroically attempted to fill in the missing context extemporaneously, in lengthy Twitter threads or on television in the fleeting moments offered to them by news anchors. But a century of structural violence can scarcely be recited let alone absorbed under such constraints, even as events on the ground dramatically unfold.
The chart above shows, moreover, that the half-life of coverage for a crisis even of this magnitude may only be as little as six weeks. As the author John le Carré wrote, “history never stops to take a breath,” and people’s attention moves on to the next item, and the next.
For all of these reasons, decontextualization is an enormous challenge to our understanding. To undo decontextualization will require more than fact checking. We will need econometrics and media observatories. We will need to read the works of Palestinian novelists and Israeli psychologists. We will need compassion and patience, and to reflect upon our own biases and blindspots. We will need all these instruments to see absence.
 
The only right that Palestinians have not been denied is the right to dream: The Fifth Newsletter (2024)
Dear friends,
Greetings from the desk of Tricontinental: Institute for Social Research.
On 26 January, the judges at the International Court of Justice (ICJ) found that it is ‘plausible’ that Israel is committing a genocide against Palestinians in Gaza. The ICJ called upon Israel to ‘take all measures within its power to prevent the commission of all acts’ that violate the UN Convention on the Prevention and Punishment of the Crime of Genocide (1948). Although the ICJ did not call explicitly for a ceasefire (as it did in 2022 when it ordered Russia to ‘suspend [its] military operation’ in Ukraine), even a casual reading of this order shows that to comply with the court’s ruling, Israel must end its assault on Gaza. As part of its ‘provisional measures’, the ICJ called upon Israel to respond to the court within a month and outline how it has implemented the order.
Though Israel has already rejected the ICJ’s findings, international pressure on Tel Aviv is mounting. Algeria has asked the UN Security Council to enforce the ICJ’s order while Indonesia and Slovenia have initiated separate proceedings at the ICJ that will begin on 19 February to seek an advisory opinion on Israel’s control of and policies on occupied Palestinian territories, pursuant to a UN General Assembly resolution adopted in December 2022. In addition, Chile and Mexico have called upon the International Criminal Court (ICC) to investigate crimes committed in Gaza.
Israel’s reaction to the ICJ’s order was characteristically dismissive. The country’s national security minister, Itamar Ben Gvir, called the ICJ an ‘antisemitic court’ and claimed that it ‘does not seek justice, but rather the persecution of Jewish people’. Strangely, Ben Gvir accused the ICJ of being ‘silent during the Holocaust’. The Holocaust conducted by the Nazi German regime and its allies against European Jews, the Romani, homosexuals, and communists took place between late 1941 and May 1945, when the Soviet Red Army liberated prisoners from Ravensbrück, Sachsenhausen, and Stutthof. However, the ICJ was established in June 1945, one month after the Holocaust ended, and began its work in April 1946. Israel’s attempt to delegitimise the ICJ by saying that it remained ‘silent during the Holocaust’ when it was, in fact, not yet in existence, and then to use that false statement to call the ICJ an ‘antisemitic court’ shows that Israel has no answer to the merits of the ICJ order.
Meanwhile, the bombardment of Palestinians in Gaza continues. My friend Na’eem Jeenah, director of the Afro-Middle East Centre in Johannesburg, South Africa, has been reviewing the data from various government ministries in Gaza as well as media reports to circulate a daily information card on the situation. The card from 26 January, the date of the ICJ order and the 112th day of the genocide, details that over 26,000 Palestinians, at least 11,000 of them children, have been killed since 7 October; 8,000 are missing; close to 69,000 have been injured; and almost all of Gaza’s 2.3 million residents have been displaced. The numbers are bewildering. During this period, Israel has damaged 394 schools and colleges, destroying 99 of them as well as 30 hospitals and killing at least 337 medical personnel. This is the reality that occasioned the genocide case at the ICJ and the court’s provisional measures, with one judge, Dalveer Bhandari of India, going further to say plainly that ‘all fighting and hostilities [must] come to an immediate halt’.
Amongst the dead are many of Palestine’s painters, poets, writers, and sculptors. One of the striking features of Palestinian life over the past 76 years since the Nakba (‘Catastrophe’) of 1948 has been the ongoing richness of Palestinian cultural production. A brisk walk down any of the streets of Jenin or Gaza City reveals the ubiquity of studios and galleries, places where Palestinians insist upon their right to dream. In late 1974, the South African militant and artist Barry Vincent Feinberg published an article in the Afro-Asian journal Lotus that opens with an interaction in London between Feinberg and a ‘young Palestinian poet’. Feinberg was curious why, in Lotus, ‘an unusually large number of poems stem from Palestinian poets’. The young poet, amused by Feinberg’s observation, replied: ‘The only thing my people have never been denied is the right to dream’.
Malak Mattar, born in December 1999, is a young Palestinian artist who refuses to stop dreaming. Malak was fourteen when Israel conducted its Operation Protective Edge (2014) in Gaza, killing over two thousand Palestinian civilians in just over one month—a ghastly toll that built upon the bombardment of the Occupied Palestinian Territory that has been ongoing for more than a generation. Malak’s mother urged her to paint as an antidote to the trauma of the occupation. Malak’s parents are both refugees: her father is from al-Jorah (now called Ashkelon) and her mother is from al-Batani al-Sharqi, one of the Palestinian villages along the edge of what is now called the Gaza Strip. On 25 November 1948, the newly formed Israeli government passed Order Number 40, which authorised Israeli troops to expel Palestinians from villages such as al-Batani al-Sharqi. ‘Your role is to expel the Arab refugees from these villages and prevent their return by destroying the villages… Burn the villages and demolish the stone houses’, wrote the Israeli commanders.
Malak’s parents carry these memories, but despite the ongoing occupation and war, they try to endow their children with dreams and hope. Malak picked up a paint brush and began to envision a luminous world of bright colours and Palestinian imagery, including the symbol of sumud (‘steadfastness’): the olive tree. Since she was a teenager, Malak has painted young girls and women, often with babies and doves, though, as she told the writer Indlieb Farazi Saber, the women’s heads are often titled to the side. That is because, she said, ‘If you stand straight, upright, it shows you are stable, but with a head tilted to one side, it evokes a feeling of being broken, a weakness. We are humans, living through wars, through brutal moments… the endurance sometimes slips’.
Malak and I have corresponded throughout this violence, her fears manifest, her strength remarkable. In January, she wrote, ‘I’m working on a massive painting depicting many aspects of the genocide’. On a five-metre canvas, Malak created a work of art that began to resemble Pablo Picasso’s celebrated Guernica (1937), which he painted to commemorate a massacre by fascist Spain against a town in the Basque region. In 2022, the United Nations Relief and Works Agency for Palestine Refugees in the Near East (UNRWA) published a profile on Malak, calling her ‘Palestine’s Picasso’. In the article, Malak said, ‘I was so inspired by Picasso that, in the beginning of my art journey, I tried to paint like him’. This new painting by Malak reflects the heartbreak and steadfastness of the Palestinian people. It is an indictment of Israel’s genocide and an affirmation of Palestinians’ right to dream. If you look at it closely, you will see the victims of the genocide: the medical workers, the journalists, and the poets; the mosques and the churches; the unburied bodies, the naked prisoners, and the corpses of small children; the bombed cars and the fleeing refugees. There is a kite flying in the sky, a symbol from Refaat Alareer’s poem ‘If I Must Die’ (‘you must live to tell my story… so that a child, somewhere in Gaza while looking heaven in the eye… sees the kite, my kite you made, flying up above and thinks there is an angel there bringing back love’).
Malak’s work is rooted in Palestinian traditions of painting, inspired by a history that dates back to Arab Christian iconography (a tradition that was developed by Yusuf al-Halabi of Aleppo in the seventeenth century). That ‘Aleppo Style’, as the art critic Kamal Boullata wrote in Istihdar al-Makan, developed into the ‘Jerusalem Style’, which brightened the iconography by introducing flora and fauna from Islamic miniatures and embroidery. When I first saw Malak’s work, I thought of how fitting it was that she had redeemed the life of Zulfa al-Sa’di (1905—1988), one of the most important painters of her time, who painted Palestinian political and cultural heroes. Al-Sa’di stopped painting after she was forced to flee Jerusalem during the 1948 Nakba; her only paintings that remain are those that she carried with her on horseback. Sa’di spent the rest of her life teaching art to Palestinian children at an UNRWA school in Damascus. It was in one such UNRWA school that Malak learned to paint. Malak seemed to pick up al-Sa’di’s brushes and paint for her.
It is no surprise that Israel has targeted UNRWA, successfully encouraging several key Global North governments to stop funding the agency, which was established by United Nations General Assembly Resolution 302 in 1949 to ‘carry out direct relief and works programmes for Palestine refugees’. In any given year, half a million Palestinian children like Malak study at UNRWA schools. Raja Khalidi, director-general of the Palestine Economic Policy Research Institute (MAS), says of this funding suspension: ‘Given the long-standing precarious nature of UNRWA’s finances… and in light of its essential role in providing vital services to Palestine refugees and some 1.8 million displaced persons in Gaza, cutting its funding at such a moment heightens the threat to life against Palestinians already at risk of genocide’.
I encourage you to circulate Malak’s mural, to recreate it on walls and public spaces across the world. Let it penetrate into the souls of those who refuse to see the ongoing genocide of the Palestinian people.
Warmly,
Vijay
 
Palestinian Babies Aren’t All That Innocent
A Republican representative believes that Palestinian babies are not innocent civilians but “terrorists” who should be killed.
Florida Representative Brian Mast made the horrifying comment when confronted by Code Pink protesters outside his office on Wednesday.
In a video, Mast can be seen calmly telling the demonstrators, “It would be better if you kill all the terrorists and kill everyone who are supporters.”
When asked if he has seen the images of Palestinian babies killed in Israeli attacks, Mast says, “These are not innocent Palestinian civilians.”
“The babies?” the activists asks in astonishment.
Mast then says that the “half a million people starving to death” should have elected a pro-Israel government.
When one protester points out that much of Gaza’s infrastructure has been destroyed, Mast says, “And there’s more infrastructure that needs to be destroyed.”
“Did you not hear me? There’s more that needs to be destroyed,” he says again for emphasis.
More than 27,000 Palestinians have been killed since October in Israel’s constant bombardment of Gaza. The majority of the victims have been women and children.
Mast’s horrific comments—and the chilling way in which he delivered them—should come as no surprise. In November, just a few weeks after the war began, Mast compared Palestinian civilians to Nazis and implied that they are all guilty for Hamas’s atrocities.
“I would encourage the other side to not so lightly throw around the idea of ‘innocent Palestinian civilians,’ as is frequently said,” he said on the House floor.
“I don’t think we would so lightly throw around the term ‘innocent Nazi civilians’ during World War II.”

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